The Clientele formed a long time ago in the backwoods of suburban Hampshire, playing together as kids at school, rehearsing in a thatched cottage remote from any kind of music scene, but hypnotized by the magical strangeness of Galaxie 500 and Felt and the psych pop of Love and the Zombies.
Singer Alasdair MacLean still recalls a pub conversation where the band collectively voted that it was OK to be influenced by Surrealist poetry but not OK to have any shouting or blues guitar solos. From that moment on, they put their stamp on a kind of eerie, distanced pure pop, stripped to its essentials and recorded quickly to 4-track analogue tape.
Instantly identifiable, The Clientele sound like no one else, although they are cited as an influence by bands as diverse as Spoon and the Fleet Foxes. It’s been said that the greatest bands always create their own individual sound; The Clientele have gone one further and created their own world.
Sunday Fun Day präsentiert von Puschen & Shameless/Limitless
TOPS are a four-piece band from Montreal, equal parts girls and guys, delivering a raw punk take on AM studio pop. Their new record, Picture You Staring, is a lush array of timelessly crafted songs. Picture You Staring gathers strength through intimacy. Self-written, recorded, produced, and the result of 12 months holed up in Arbutus Records’ Montreal warehouse. This album contains 12 impeccable examples of pop craftsmanship that will reward repeat listeners.
Singer Jane Penny gives a voice to the silent girl at the edge of the circle, disillusioned but honest and unpretentious, a tone complemented by David Carriere’s seamless guitar playing and the measured drumming of Riley Fleck. TOPS’ songs are delivered with a cool restraint that blend with the individuality and self-assured desire of their female lead.
David and Jane met in middle school, but didn’t stay in touch until they reunited in Montreal where they’ve been collaborating since 2009. Unintentionally initiating a pop music scene in Montreal, their strange homemade recordings have gained an international following. In 2011 they joined Riley Fleck and started jamming at the loft space La Brique where they wrote and recorded their first record, Tender Opposites. TOPS continue to engineer and produce their own records and make their own videos in collaboration with fellow artists and filmmakers. In opposition to commercially driven pop music, TOPS pursuit lies in creating moving songs that succeed earnestly, disregarding trends and myth-making.
Jane, David and Riley have equal footing with their respective instruments and their sparring exceeds the imagination of any individual. For their new record TOPS have enlisted Madeline Glowicki to play bass. Like Jane and David, Madeline grew up in Edmonton, Alberta and went to the same elementary as Jane. A natural musician, and contributor to the Editorial magazine, the band are happy to have another prairie girl on board. LA based painter Jessica Dean Harrison created the artwork especially for the release. It is a conceptual interpretation of the record’s title, continued in a large poster depicting a group scene, included with the purchase of a vinyl record. If you’d like to learn more about Riley, pre-order the album on iTunes and you will receive an informational PDF created by his bandmates that depicts his growth and development into a man.
02 DecBela B im Kesselhaus / Kulturbrauerei
/ Bela B.
/ Smokestack Lightnin'
/ Peta Devlin
Mit seinen Freunden von der Band Smokestack Lightnin’, Peta Devlin und noch einigen illustren Bekannten, hat Bela B in den vergangenen zwei Jahren, wann immer es Zeit & Ort zuliessen, ganz nebenbei ein neues Solo-Album aufgenommen, das im Frühjahr 2014 erschienen ist. Im November und Dezember tourt er mit Peta Devlin & Smokestack Lightnin’ durch weitere Clubs in Deutschland: “Bela B im Club.”